Τρίτη 2 Νοεμβρίου 2021

39. Improvisational classical 4-voices harmony on 4-strings

 We must at first read the posts 37 and 38, and 27..


We must remind here the fundamental philosophy of musical composition and improvisation.
Musical improvisation is not a technical skill that one “learns to do.” It is a natural spontaneous process that occurs first in the imagination. It is often a natural language of the soul, as we have the language of words. But that is why it is understood by people that do not even speak the same language of words

The main goal of musical composition and improvisation is not the output musical piece, but the EXISTENTIAL FUNCTION of the process of creating and listening the musical piece. 


Here is an example of mediative improvisation by Estas Tonne

https://www.youtube.com/watch?v=7gphiFVVtUI


In the next we shall discuss how  4-voice harmony can be realized on 4-guitar (or ukulele) strings, the role of the 4-string chords, and the concept of chord-melody.

The current  approach is essentially the approach of a chord progression, with chords of 4 notes, and simple melodic improvisation within the chord where ALL THE NOTES OF THE MELODY ARE NOTES OF THE UNDERLYING CHORD. 

(The post has not been written yet completely)

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110. The 7-notes 2-octaves and 10-notes 3-octaves arpeggio-scale of a chord, as sufficient space for rich melodic order-topological shapes composition.

 (This post has not been written completely yet) When spending time with an improvised melody that harmonically fits a chord the best idea i...